Episode 12 sounds like episode 1.
Define your show once and cast its voices, your own cloned voice included. Then turn everything you publish into episodes that stay on brand.
Beta · 0 of 10 seats takenA real episode of this show, produced by Timbrella from one article and three uploaded PDFs. Nothing staged, nothing re-recorded.
The research does the heavy lifting.
Before a word of script exists, Timbrella reads your source, reads the market, and verifies every claim it wants to make. That is the product; the microphone is the easy part.
Every claim the episode wants to state as fact must carry verbatim evidence from a real read of its source, or it is dropped. You curate what stays.
What already ranks for your topic, what listeners actually want, and the gap your episode can own. That read is what shapes the angle, before a word is written.
Title, description, chapters and per-channel teasers ship with every episode, written from the same research that shaped the show itself.
It refuses to make things up.
Every claim an episode states as fact carries evidence from a real read of its source, or the episode does not say it.
“Support tickets fell 38 percent after the rollout”
“...ticket volume dropped 38 percent in the first quarter after launch...”
Source: your-company.example/case-studies
“The fastest platform on the market”
No evidence for this in the source.
The episode does not say it.
Speak in your own voice.
Clone your voice from a short recording, with your consent on record, and every episode of your show speaks in it. Or cast from the curated library, or bring an ElevenLabs voice you already use. A show can mix all three.
A short recording and your consent on record, and your show speaks in your voice, episode after episode. A client's voice works the same way, once you record that they have given their permission.
A picked set of professional voices for hosts, co-hosts and guests, so a show without a clone still sounds like a cast rather than a text-to-speech demo.
Bring an ElevenLabs voice you already own by its id, and it joins the cast beside the others.
The English demo above is hosted by Adnan, the founder, in his own cloned voice. Press play and hear it.
Three steps, and you approve the middle one.
You stay the editor. Timbrella does the research, the writing and the production. This is the actual app, not a mockup.
Every episode starts with researched angles conditioned on your show, each resting on verified facts, next to a plain read of what the market is asking for. You choose the direction before anything is written.
The full plan on one page: title, per-channel teasers, the script, and every verified source behind it. Edit directly or request changes in plain words. Nothing is produced until you approve.
The finished audio in your voices, plus show notes, chapters, transcript and teasers, ready to copy. You publish on your own channels; nothing goes out without you.
One account, every client brand separate.
Each client keeps its own shows, its own cast and its own voices, so nothing bleeds between brands.
Pick the number of episodes you need.
Both packages include every feature. The only difference is how many episodes a month your allowance covers.
- 3 episodes a month, revisions included
- Research, script, audio and the publishing kit
- Unlimited shows and client brands
- 8 episodes a month, revisions included
- Research, script, audio and the publishing kit
- Unlimited shows and client brands
The questions people actually ask.
Whose voices does my show speak in?
You cast each Persona from the curated voice library, bring an ElevenLabs voice you already use, or clone your own voice from a short recording with your consent. A show can mix them.
Does Timbrella publish episodes for me?
No, and that is deliberate. You download the finished audio and its publishing kit and put them out on your own channels. Your feed stays yours.
What stops it from making things up?
Research runs before writing, every stated fact must carry verbatim evidence from a real read of its source, and a human approves the Brief before production. Claims without evidence are dropped rather than said.
How long is an episode?
You set a target length per episode before the script exists, and the produced audio lands around it, give or take about two minutes.
Which languages can a show be in?
German and English today. The language belongs to the Show, so one brand can run a German show and an English one side by side.
Can I change things before production?
The Brief is yours: edit the title and teasers directly, or request changes to any part in plain words and the composer rewrites it. Production starts only when you approve.
Is the AI use disclosed?
Yes. Every episode ships with a disclosure line in its publishing kit and an AI marking embedded in the audio, in line with the EU AI Act.
If you are producing content for clients and cannot risk AI slop under their name, Timbrella is the right decision.
Start your first Show